“Period Classical Moldings: A Primer on These Touchstones of Neo-Classical Architecture”
Author: Norman L. Vandal
Published in Fine Homebuilding Magazine April/May 1984 No. 20
A detailed glossary of Neo-Classical moldings. |
When I found this article by Norman Vandal in an old copy of Fine Homebuilding magazine, I learned that period styles often overlap. This gave me the freedom to mix and match moldings from the three Neo-Classical periods in the same home without the fear of being historically inaccurate. It allowed me to group the Pattern Book’s Neo-Classical styles under “Traditional,” making it much easier for those unfamiliar with the subtle differences between period styles to choose molding patterns.
The American Neo-Classical period lasted 150 years. This period can be further subdivided into three design trends, the earliest being the Georgian Period (also known as Colonial), the Federal Period and the latest, the Greek Revival Period.
Here is what Vandal, a master craftsman of the Neo-Classical styles, tells us to look for in homes of each period:
- A return to pure Greek rather than Roman forms
- Moldings are based on segments of the ellipse
- All parts in the order are larger than Roman, giving the moldings a more solid, simple look
- Fewer ornaments overall than in Roman designs
- Larger, more ornate entablature
- Interior cornice (crown molding) and chair rail deleted
- Inspired by designs of The Brothers Adam
- Wood became the primary material used, allowing finer edges and flatter projections than stone; lightness and delicacy became design guidelines
- Fireplaces with carved friezes were the focus of formal rooms
- Wainscot became less popular but chair rails remained
- Molding profiles based on segments of a circle
- Very ornate
- Paneled walls and wainscot became popular
- Fireplace walls were completely paneled in formal rooms